Sunday, March 18, 2012

A Quick Catch Up

The music never stops.

Mazal Tov to my Bas Mitzvah girls this month! Every party was beautiful, with gorgeous tables and centerpieces, and festivities that were not limited to pink feathers, a musical birthday cake, purim mask painting, endless sushi and pretty, pretty party dresses!!) At each party I was touched by the adorable slide shows and perfectly poised Bas Mitzvah girls delivering their speeches with confidence. And for that reason, Bas Mitzvah parties are my favorite venues these days...

Thank you for having me,

Toby Leverton

Sara Lazar
Estie Greenbaum
Nana Zarchi
and

Rivky Taichman
(Rivky, send me the pictures so I can post them here!)

*****
There were also Purim Parties with spirited high school girls,
Singing Sisters,
Double 3rd Birthday Parties,



  
and casting for the new Mitzvah Boulevard video.

Hadassa and Yaffa, seasoned actresses by now!!
All in all it's been busy and wonderful.

This week I'm headed to Detroit for the Jewish Women's Circle Gala hosted by Zeesy Silberberg. I always look forward to making new friends in new towns, so see you soon in West Bloomfield.

I'll be back with some more top ten lists, and a full review of "A Jewish Star" concert later this week.
Enjoy the gorgeous weather. My tree should be in full bloom any day now.

Tuesday, March 13, 2012

The Ten Albums Every Jewish Music Collection Must Have

This list contains some of my favorite Jewish music from the 80s and 90s. I hope to compile a list that contains some more recent material so if you have suggestions please free to leave a comment.

Tzlil V'zemer "Let Us Grow"
                                                          


In the last ten years, auto-tune has become a staple in every recording studio, turning mediocre singers into great ones and resulting in dozens of "singers", that live on stage, couldn't sing their way out of a paper bag. In my opinion, auto-tune's biggest victim has been the boys choir. Once upon a time, London School, Miami Boys, and Tlil V'zemer were made up of raw talent. I discovered everything beautiful about Jewish music in these albums from the gorgeous harmonies, meaningful songs and mostly from the soloist whose sweet voices sang about Torah and Yiddishkeit honestly and innocently. Voices were distinguishable and personalities were developed, resulting in an obsession with the superstar singers.  (Who can forget Ari Goldwag and Nachum Stark in "Meheira"). Today, in my opinion, every boys choir album, while steller in production, composition and arrangement, is mostly interchangeable and sound exactly the same. Boy's voices are tuned to virtually unattainable notes until they become robots singing in keys often impossible for a human ear to hear. If not for the music videos, I don't thing we would recognize one child's voice from the next. (There are a few exceptions but very very few.) "Let Us Grow" and "Together Again" are real examples of the Jewish Boys Choir and two of my favorite albums of all time.



Avraham Fried-Bracha V'Hatzlacha

Although I don't count on my memory on a general basis, I remember exactly where I was the first time I heard Avraham Fried's song "Don't Hide From Me". I remember stopping in my tracks and taking in the unique melody. The tune was original, the concept creative and the chord changes fresh and exciting. The entire album marked a turning point in Chasidic music and was groundbreaking in its 'modern meets traditional' sound. I sing "Yerushalayim" at Bas Mitzvahs and it gets me happy every time. With not one filler, this album contains hit after hit and should be a reference point for everyone there creating Chasidic music.


Mordechai Bed David-Tamid B'Simcha

Mordechai Ben David reminds me of the actor who is nominated so often for an Oscar that is simply doesn't matter whether he wins or not. He is that good, and while there are many imitators, there is no competition. Tamid B'Simcha brought us one of the most lyrically satisfying English songs of our time, cramming decades of history into a English song (and Hebrew version) called simply "Yerushalayim". You would think learning the words would be a challenge but when this cd came out everyone knew them by heart. The bright trumpets at the intro of the song announced you were in for a good time which is exactly what this entire album brings to the table. A good time, unadulterated and authentic.

Piamenta 

Those of you who know the know infamous Yalili song by heart, you know the lyric "Yossi Avi, Hu Sefardi, Yom Ha'Shmini, Ashkenazi". Now with all due respect, comparing The Piamentas to the Marcus Brothers is like comparing Jimmy Hendrix to the Osmonds. Both talented but in totally different leagues. Combining hard rock and traditional sefardic music the Piamenta brothers proved to be the most talented, authentic, raw and unbridled musicians (and performers) in Jewish music history. The sounds of their flute and electric guitar solos are instantly recognizable and the songs "Ashar Bara" and "Siman Tov" are as original today as they were when they came out (Granted Ashar Bara was a remake of a secular song, the Piamentas delivery completely changed the feeling and purpose of the melody).


Michoel Streicher 

Mentioning Micheol Streicher today and you will be met with mostly a blank face. For whatever reason, when we were kids Streicher was all the rage and "The Whole Truth" played over and over in our house. I even remember going to his concert when he came to Miami. And he was great. Listening over to some clips today I realize what the excitement was about.  I suppose back in the day when mostly Avraham Fried and MBD represented Chasidic music, Streicher's music managed to make its mark by carving out it's own niche that leaned over to the Yeshivish market. Secondly and more importantly, his voice is just beautiful on this album.  On the  "Chazanus" track (and I am not a Chazanus person) he sings like an angel. One more thing that makes this album so great. It's a total throw back to the eighties with synths and pads all through out the songs. Beautiful songs, great trip down memory lane for anyone in their 30s.


Sholom Simcha 

The only time I ever interacted with Shlomo Simcha was a few years when he got in touch with me regarding one of my songs "Esa Aini" that he was considering for his new album. I am not sure if that album ever came out or not but I can tell you that if he was only to put out one album in his career (he didn't)"That Special Melody" would suffice. With a stunning, super sweet voice, his album showcases his pure voice and he rolls his "rayshes" like a pro. Mostly slow, Hebrew songs, the songs are piano driven, rich and melodic. He is great on the fast songs as well and you will be surprised to learn that "Visamachta" and "Eliyahu Hanavi" on this album are his. "That Special Melody" is a great English song, simple, uncomplicated and to the point.

Dveykus

In my mother's house, in the piano bench there is a Dveykus songbook. As a kid I played them all and today know that there is not a song in there that is not absolutely epic. Lev Tahor, Kol B'rama, In A Vinkale (also known as Tateh Tateh, Shwekey's version), Na'ar Hayisi, the list goes on and on. Granted this production and singing style on the album is very dated, the songs have been thoroughly incorporated into the index of Jewish music and are still sung in camps, schools and choirs around the world. A remake of these works would be incredible and long overdue.


Journeys II

Moshe Yess and Abi Rottenberg, in my opinion are the Simon and Garfunkel of Jewish music. Although they don't sing together, they are both natural story tellers that don't over sing the material and let the story do the talking. This masterpiece shows off some of their best writing in this album on works such as the stirring "Neshomale" heart-wrenching"Memories" and deliciously moving "Teardrops". Every song is a treat that children and adults can enjoy.

Shlomo Carlbach-Songs Of My Soul

No jewish song list would be complete without at least one album of Shlomo Carlbach. Although I don't play his music often his older songs are a Kumzitz staple and like I like to say "With 3 chords and the truth, you can play anything." "Songs of My Soul" is a great place to start if you are a Shlomo newbie.

Tuesday, February 21, 2012

"Voices of Eternity" Bais Rivkah Production Review

Last night I went with my daughter to see the Bais Rivkah play "Voices For Eternity". At almost 5 years old and quick as a whip, I knew she would absorb every moment and digest it thoroughly. What I didn't know is how much I would enjoy the show, but lo and behold, an unexpected lump in my throat rose at the first scene where it stayed until the incredible finale.

An out of towner, I spent my high school years in Bais Rivkah Montreal as well as many summers in Camp Emunah in the Catskills and let me tell you, nothing establishes  a student's long-term positive feelings towards an establishment than a supportive staff that encourages the girls creativity and unique contributions in the arts and theater department (phew). I have written scripts, sung and conducted choirs, composed songs, medleys and even choreographed a few dances in my days.The experience is always the same. It starts with an enthusiastic "let's make a show" and ends with an intense, tear inducing, drama-filled (backstage that is) bank-draining, friendship bonding, memory-making experience that culminates in a spiritual and physical high that is the finale (phew again).

Years ago, I worked on a choir for the Bais Rivkah Crown Heights production, a medley of past years' finales. At the time it was a challenge for me to combine all the different songs into one flowing piece and manage the harmony and rhythm changes. But I worked it out (with the help of Chaim Fogelman who created the musical playbacks) and the result was incredible (not to toot my own horn, but that night many claimed it was the highlight of the show). A few girls have even approached me recently to tell me they remember being part of that choir. I can't say I remember the rest of the production but the experience working with the girls was wonderful and made me feel young and exuberant again.

Last night I yearned for that feeling again.

We had 2nd row seats for the 6pm show and came early enough to watch the hall fill rapidly up to it's capacity of 1500 seats. Now keep in mind, the play went on 4 times in the last 4 days. So you do the math. It's not easy to fill every seat in such a large hall 4 times in a row so that in itself proves an awesome point. But more on that later.

I admit I was slightly dreading the drama parts of the play. I love me a good musical, but the acting usually brings out the ADD in me so I was thrilled to discover that the entire play consisted of singing and dancing, song after song, dance after dance. Thanks to the 2 large screens that portrayed the lyrics and filmed scene fillers, the story was clear, easy to follow and thoroughly engaging. Rosa leaves war-ravaged Europe for America and remains conflicted between her parent's traditions and the new world's promises. She takes a job at a sweat-shop where her rigid boss (yay Liba!) refuses her a day off for Shabbos. Through song and dance, she struggles with her faith and ultimately admits to her self that the Frideker Rebbe's words are her final reality: "America is nisht andersh". The sweat-shop burns down and her physical and spiritual life are saved.

The storyline was simple but the lyrics were rich, the dances adorable, the costumes vibrant and creative. Amazingly the entire show was set to Nigunei Chabad and thanks to the incredible patience and talents of Chony Milecki and Benshimon Studios, never stepped over into the cliched territory I disdain so much.

Like every other Chabad peulah, the play had a clear and fundamental lesson for each and every one of us to take away. As the entire school sang together in the finale: "No America is nit andersh, Torah for all times, yes it is through Yiddishkeit that freedom we will find! March the streets with pride, Menorah's light outside, Heads held high, Geon Yaakov..." The girls sang it loud and proud, like they meant it and understood the message perfectly.  And I am sure they did because I felt that proud too.

Granted the choirs and soloists were pre-recorded (a nightmare to orchestrate by the way), the timing was impeccable, not one girl missed her cue, took a misstep or forgot her lines. Now is a good time to mention there were 500 girls in the show. FIVE HUNDRED. I recognized girls from my choir club, babysitters and cousins children, each one beautiful and confident in their role. I cryed, I laughed and I mostly kvelled.

Bais Rivkah you outdid yourself and like I whispered in Hadassa's ear during the show "I am so happy that you are a Bais Rivkah girl, cuz one day you will be up there too!"

Amazing, amazing, amazing!!
Bais Rivkah Montreal Production 1996


Wednesday, February 8, 2012

Crown Heights Concert Video Recap

Love how this,

becomes this:

Monday, January 23, 2012


Interviews with Interesting Jews: Chanale

By Amy Deutsch at 11:02 am
A mom, a rock star, and an Orthodox Jew.
Chanale Fellig is a mom of two, and a Jewish rock star. But a very specific kind of Jewish rock star. Chanale is Orthodox, and follows a law called kol isha, prohibiting men from hearing women sing. We’ll let her tell you more about that in her own words below.
But even though she only plays for 50% of the population, she has a huge following. She’s just come out with her fifth CD and her first music video, called Taking Over My Heart. We’re kind of fascinated by her and we bet you will be, too.
1. What inspired you to get into music?
Growing up with six girls, we spent a lot of time singing and dancing in our kitchen to all kinds of Jewish music. Back in the eighties, practically all the Jewish music was by male soloists or boys choirs. Then Ruti Navon, a superstar from Israel, became a Ba’alat Teshuva (converted to Orthodox Judaism) and began performing for all-female venues. The first time I saw her perform, I was absolutely amazed.  I remember being mesmerized by the glamor, the passion and the confidence she had. And it was all in the realm of modesty! She wore a great big curly wig, sang with enthusiasm and made all these women so excited and happy. All of 10 years old, and I wanted in.
2. Why perform just for women and girls? Can you explain kol isha to our readers and why it’s meaningful to you?
In my opinion, singing for an audience of only women is the greatest experience a female singer can have. Women connect faster, emote deeper, and enjoy more thoroughly when they are in a room filled with only women. As a songwriter I write songs specifically with my female fans in mind so I can perform them completely focused on each and every woman and girl in the room. I don’t consider kol isha a restriction, but rather a privilege. My songs (“Perfect By Design”, “My Business”, “Her Home”) have always been custom-designed for women and I love this niche in Jewish music.
3. How did having kids change your music?
Having children has cracked my heart wide open and I am sure my fans will notice that in my latest album. My kids have taught me that life is precious and that motherhood is an all-encompassing experience that I cannot separate from my music. I sing from my heart, and my heart is filled to the brink with love for my children. So that’s what you’re gonna get from me right now.
4. Clearly you love your kids, but are there any annoying habits they’ve recently acquired that drive you nuts?
In the last few weeks, their new shtick is running out of bed, (holding hands), giggling like maniacs, like two partners in crime. I think they believe I will be less angry if they come out together, a united front, and although I can’t get enough of their cute faces, I honestly would like them to get into bed and STAY THERE!
5. On a purely superficial level, what are the advantages and disadvantages of wearing a sheitel (wig)? Are there no bad hair days?
As a girl my hair was always long and curly and had to be revived every morning or stuffed into a ponytail. My curly wig rests comfortably on a stand, and is not subjected to all the “dirty work” parenting consists of. (Really? Do I have to expand?) Most days, a wig is the answer to my prayers, instantly glamorizing my denim-skirts-and-hoodies look. As the official face of Milano wigs, I am working with them on customizing something super special for on-stage, when I need all the help I can get transforming from Mom to Star. So in my world, sheitels are a lifesaver.
6. Are you your daughters’ favorite singer? Or have they fallen to the way of Miley Cyrus and Justin Bieber?
My daughters are definitely fans of their mom’s music but I can’t say they haven’t been exposed to a little Taylor Swift on the side.  I AM guilty of telling them she is Jewish, though…
Kveller.com offers a Jewish twist on parenting, everything a Jewish family could need for raising Jewish children--including crafts, recipes, activities, Hebrew and Jewish names for babies...and advice from Mayim Bialik.

Monday, January 16, 2012

A Monsey Moment Take Two


Dearest Chanale!
I am responding to your performance at A.S.H.A.R. on Sunday night.I was moved by your music! Not only by your stunning voice and musical talent, but what I saw in your personality was very inspiring!I felt in your energy a lot of integration and spirituality!I would like to request please your free download song, that you offered there.I also want to comment on your blogs in your web; I liked them! Very intelligent!

Chanale-
Your concert was great! It was my first time seeing you in person AND singing so last night was a great night for me. Thank you so much! Your songs were great as always and thanks a lot for autographing my program

Chanale,
Your singing is very energizing and effective. No one else can get meto dance at a concert like that!

Chanale,

Hi I was at your concert yesterday in Monsey. You truly are an

inspiration to young girls your songs boost self confidence and loveof yidishkeit! I would love the download for apple ipod you mentioned yesterday! Where can I buy your CDs I would love to get for my nieces!



Hey Chana’le
Nice to see you tonight. You made my girls, and especially my youngest’s (year!!)I’m so happy I bought the new CD. Need something new to listen to in the car.Its been a full year of “I don’t need a license” Its really special how you take the time to make all the little nudniks happy. They all left on a high! Thanks again for a great evening.


Chanale-
You were so amazing tonight in Monsey by chabad! i just love your cds! i bought the new one.. keep it up you've got a gift from Hashem


Last night was the annual "Women Uniting Through Song" concert in Monsey.  I'm calling it annual because after experiencing a Monsey audience twice, I'll be making sure there is 'chazaka' only so this special night becomes one we can experience over and over again for years to come.
     

Here's how it all went down.

 This is Esther Freeman. Talented and gorgeous, she was brilliant. If you can get your hands on her new single release, do so 'cuz she is making music that MOVES people. The tear-wrenching, gut-busting, soul-searchin' kinda stuff that only a truly gifted from G-d woman can write (and sing). 
This is the Kol Isha Choir. What can I say? I'm a basket case for harmonies and they didn't hit an off-note. Pure vocal perfection. Their sweet voices filled the hall, corner to corner, and not a woman in the audience breathed until they were done. I kid you not. These gals got the crowd sitting silently like first graders on the first day of school (who have an awesome captivating teacher).
Then there was the gorgeous sparkly curtains that glowed like the brightest Chanukah Menorah in town and Esther sparkled her way through a gorgeous set of 4 powerful ballads.
These are some of the cuties in the audience. The girl in the middle? I sang at her Bas Mitzvah not long ago. Hi Rosie.
By the time I got onstage, the audience had warmed up (literally too, it was frigid in New York last night and it took some time until the heat kicked in) and were ready to absolutely live in the moment.
Malky sat in the front row and sang every word to every song. I kid you not. See Malky in purple argyle sweater.
See Malky onstage. She sang amazingly. I almost surrendered the mike to this natural tenor.
The girls agreed. It was hysterical. Maybe fifty adorable girls, red-faced, and smiley, jumping up and down like little jack in the boxes in front of the stage. I wanted to scoop them all up in a bear hug. We were totally on the same page. Until I realized some of their mothers went to school with me....
My grandfather's sister Morah Blanka. In the flesh. At my concert. My life is complete.
I leave you with my #1 fan Tzurty. I know she is for real cuz she had me sign her guitar. With a permanent marker. Now that is love.
Next Motzei Shabbos is the Russian N'shei Event where me and my choir club will be performing. It is in Crown Heights, Lubavitcher Yeshiva at about 8pm. I will update the details later this week if you would like to attend. I am going to miss these girls when we're done. 
We'll get you some video from this concert soon. Til then, have a great week.

Monday, December 26, 2011

Behind The Story-No Matter Where You Roam + Giveaway

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The feedback on this post and this post motivated me to prepare another "Behind The Music" post tonight. We had a busy week filled with Chanukah parties and vacation time well spent but we'll get to that a little later. Right now, take a walk with me down memory lane to seven years ago, the Kinus Ha'Shluchos Melavah Malkah in Crown Heights. (This story has a nice Chanukah connection by the way so it's really perfect for right now) .


I vaguely remember the phone call I got with the invitation to come sing. Instead, all I can remember is the mix of fear, anxiety and full fledged panic I felt in the days leading up to the convention. A bonafide performer at this point, I had enough material, experience and courage to perform in front of such a large crowd. The problem was that I had not fully embraced my complete potential as a singer, and was seriously lacking in the 'speaking' department. The songs were beautiful, I knew. They moved people like they moved me. But I had trouble with the whole 'show business' aspect of my career and I believed that introducing the songs with bravado would create a distance between me and my audience. I know now, the complete opposite is true.
I will tell you that the most difficult part of being a singer, is having to sing when people in the audience are talking. And it's not because my voice is being drowned out by chatter, or that I feel uncomfortable baring my soul to a distracted few, but mostly because of the disappointment I feel for the song itself that is slowly losing its chance to make a proper presentation. A true music lover knows that a good song is all of its components. The lyrics, the melody, the music, the introduction, the middle and the ending, all play an active role in creating an emotional, visceral experience that is usually all of four minutes long! So when the introduction is missed and the first verses ignored, the entire song is compromised. A good singer becomes the song they sing and this can be a very devastating experience.
The secret is in the introduction of the song. The right introduction will rope in the audience and have them eager to hear the song that you speak of, the song so full of meaning and enlightenment, it can change their life. They just don't know it yet. 

At the Kinus Ha'Shluchos I truly experienced the power I held in my hands for the first time. 
The time slot I had been allotted allowed me three songs and one was called "No Matter Where You Roam" from the "The Crown of Creation" album. I had rewritten the words to an old camp 'alma matter' and never once investigated the story behind the song. Now tell me, would you want to hear a song from a singer who had no idea who and what she was singing about? I did some investigating and a few phone calls later I was hearing the real story behind the song.

I've shared this many-a-times since that night but the real short version goes something like this (as recounted by Mrs. Deren, Shlucha in Stamford Ct.)

In the college town of Amherst Massachusetts, a secular student became a regular Shabbos guest at the on- campus Shluchim. Over time he developed a close relationship with the Shliach and returned to his Jewish roots, becoming fully observant and eventually a Rabbi and Shliach in his own right. The song was written by a Yeshiva student who had witnessed this transformation while spending the summer at the Chabad House. Inspired by this student's journey he wrote the song "No Matter Where You Roam" which I, thirty years later, rewrote and extended. (Very short version of a very long story, but this is a blog not a book).

"I would tell you the name of this student cum Shliach but his wife will be attending the conference" Mrs. Deren concluded. 

Powerful stuff huh? I had almost sung a song inspired by the husband of one of the women in the room and had come to close to not knowing it. I shared this exact story and has the entire crowd up on their feet clapping hard and loud. It didn't come easy, I memorized the introductions word for word but today it comes naturally, b'h and I am thankful to the circumstances and people that helped me get get past this obstacle in my career.


The original song: 
In a small college town/There was a young man feeling down/His future was uncertain/"Oh, what will become of me?"/A Chabad house is nearby/The young man gives a try/"Maybe direction there I can find/And have peace of mind."/He discusses yiddishkeit/All through the night/But he cries, "I don't belong/I am too far gone."/The Shliach says, "Not true,/Hegam shechoto yisrael hu/No matter where you roam/you can always come back home".


My version you can get here. 


But the story doesn't end here. This story helped write another one. Or maybe this story just has two chapters. Either way here is the second part.


When I was first married and living in Israel, I was invited to sing for a Chanukah party in Tel Aviv. I had to be persuaded because singing to an all Hebrew speaking crowd really limited my song selection. 
With Shlucha in Tel Aviv Mindi Schmerling
I reluctantly agreed and proceeded to sing every last Hebrew song I ever knew. The women enjoyed, singing a long and I was pretty impressed with my versatility. After an hour, I wrapped up the kumzitz with the song "No Matter Where You Roam". There was not much reaction from the Israelis but in any case I gave it my all.

The next day Mindi's mother Hindy Gorlitsky called and with much excitement thanked me for entertaining. She then told me that there had been a new face at the party, a young Australian traveler who had stopped in randomly to the Rechov Shenkin Chabad House hoping to find a place to hear Menorah lighting that night. She had slipped into the room just as I was singing "No Matter Where You Roam" and cried the whole song through. She didn't promise to return but "you never know" were Hindy's exact words. Clearly, the song has a life of it's own and unbeknownst to me it had quite possibly changed a life.  
And it was THIS story that inspired one of my most popular songs "Run Run Run Away" which if you've heard it, you know has a short throwback to the song "No Matter Where You Roam". Epic as my friend Tzurty always says. Or maybe just another Chanukah miracle. Either way, a song written over thirty years ago, touches so many people for years to come. Cuz a good song is more than just a song. So the next time you sit before a singer who has a song to sing, let it be heard because you never know. Maybe it it was written for you.
*****
We have been having a wonderful Chanukah week. Shabbos brought our favorite friends as guests who in turn brought these gorgeous flowers I have been enjoying since.
The kids are home from school. Enter ipad.
We attended our Shul's annual children's Chanukah party and outdoor candle lighting event. We may or may not have been the first people there. It's a long day until 2:30 when you're all of two and four years old. 
Love how they shift from foot to foot while they wait for the light.
Busted. We  so were the first ones there.
My sister Shulamis and my niece Layla.
I love a good face paint and Hadassa knew exactly what she wanted for herself. She waited on line, considered her options and then pointed out what she chose. Now just for the record, when we were kids we had the one, the only "Mama Clown" at all our birthday parties. Mama Clown is the BEST face painter ever. She actually wrote a BOOK about face painting so when I tell you Penina is awesome, I know what I'm talking about.
She didn't disappoint.

 Yaffa didn't have her face painted. She had other things on her agenda.
 It was a blast. Friends, family, face paint, a hilarious magician and donuts galore. What more does a Chanukah party need?
Today we spent outdoors, breaking out the winter boots and bracing the chill. The kids loved it but this Florida girl resigned after an hour. 
So we headed home for an afternoon indoors that involved a recipe for spelt donuts and one little Chanukah related accident that forced me to wash the floors a few days early. Nisht geferlach.
 A little olive oil is good for a wood floor I say. And totally worth it for these babies. (That taste better than they look, promise). All in all it, like every Chanukah before it, it was a meaningful,  miraculous (that no one got hurt in the aftermath of this accident) time.
 *****
Congratulations to commentor Nechama who won the Rebbetzin Tap Videos and Marvelous Middos Machine. Please email me your contact info to chanale@hotmail.com.
*All comments are added up and numbered, then entered in a random number generator.

*****
Today's giveaway is sponsored by Dini's Bracelets.  These bracelets are gorgeous, luminescent and perfect for little girls. My kids got them as Chanukah presents this year. One random commentor on this post will win this beautiful bracelet. 
Have a great week.